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Steven Duval
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    • The Performance Anxiety of Michael Fried – Commonwealth Gallery, Madison WI
    • Collage
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    • Entropies
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    • Agri-culture, Presence Exhibition at the Fruitmarket in Edinburgh
    • RomanTech – Collective Gallery, Edinburgh
    • Eco-nomia, part of BIG Torino (Biennale Internazionale Arte Giovane)
    • Das Eco-Kapital at Rraum in Frankfurt-am-main
    • The Apple is a Model at Cittadellarte – Fondazione Pistoletto
    • Laboratory of the Philosophical Vagabond at Tag Team Project, Edinburgh
    • Espèce de pensée (Species of Thought) at The Collective Gallery, Edinburgh
    • Intersection of Universes and two others at the Gwangju Biennale, South Korea
    • One Man’s Terrorist is Another Man’s Freedom Fighter at Apexart in New York City
    • CNG Cowboys at KHOJ, New Delhi
    • Familiar Fear at Nuit Blanche, Paris
    • Privacy: A Programme of Symposia with Protoacademy & Olaf Nicolai in Edinburgh
    • Past Relations at Oxford Brookes University
    • Natural Dialogue at Grizedale Arts in Cumbria
    • Open School of Philosophy at the Gloucester Market in Oxford
    • The Polyphonic Gathering at the Richard Hamilton Gallery, Oxford Brookes University
    • Abergreen: A Social Laboratory at Peacock Arts in Aberdeen
    • The Obscure: A Performative work in Two Parts in Oxford
    • Frontstage/Backstage at OVADA, Oxford
    • Peer Review – Film
    • Representation, Reconstruction & Reappraisal at the 02 Gallery, Abingdon
    • In Search of the Authentic
  • Teaching
    • Descendants of Goffman – University of Manitoba
    • Hybrid Practices Course
    • Privacy: A Programme of Symposia with Protoacademy & Olaf Nicolai in Edinburgh
    • Past Relations at Oxford Brookes University
    • Natural Dialogue at Grizedale Arts in Cumbria
    • Representation, Reconstruction & Reappraisal at the 02 Gallery, Abingdon
    • Foundations Teaching – 3D
    • Foundations Teaching – Drawing
    • Foundations Teaching – Intro to Painting
    • Intro to Digital Imaging Course
  • Research
    • Hybrid Practices in the Arts, Sciences, and Technology since the 1960s – Conference
    • Art + Science at The Watson Library, University of Kansas
    • Roundtable: Excavating the Universe – Physics interacts with the Arts
    • Privacy: A Programme of Symposia with Protoacademy & Olaf Nicolai in Edinburgh
    • Past Relations at Oxford Brookes University
    • The Polyphonic Gathering at the Richard Hamilton Gallery, Oxford Brookes University
    • Open School of Philosophy at the Gloucester Market in Oxford
    • The Obscure: A Performative work in Two Parts in Oxford
    • Frontstage/Backstage at OVADA, Oxford
    • Peer Review – Film
  • Writing
    • Collaboration, Labor, and Breaking bread: An Interview with Sean Starowitz
    • Introduction to my practice-led PhD commentary – “The relationship between specialist and non-specialist identities in a dialogical art practice”
    • Neutrality as a Benchmark in Socially Engaged Art practice
    • Cork Caucus and a Proto Democracy

Steven Duval

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  • CV
  • Portfolio
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Category: Uncategorized

Posted on November 11, 2015

Decendants of Goffman at The University of Manitoba

Menu

  • Home
  • CV
    • Steven Duval – CV
  • Portfolio
    • Mashup (at the Greenlease Gallery, Rockhurst University, Kansas City)
    • Descendants of Goffman – University of Manitoba
    • Art + Science at The Watson Library, University of Kansas
    • The Performance Anxiety of Michael Fried – Commonwealth Gallery, Madison WI
    • Collage
    • Eyes of the Mirror
    • M.A.G.A.
    • Entropies
    • Seen II
    • Interpellating History: A Work for Three Actors – Oxford
    • Cognoscibility at OVADA in Oxford
    • Agri-culture, Presence Exhibition at the Fruitmarket in Edinburgh
    • RomanTech – Collective Gallery, Edinburgh
    • Eco-nomia, part of BIG Torino (Biennale Internazionale Arte Giovane)
    • Das Eco-Kapital at Rraum in Frankfurt-am-main
    • The Apple is a Model at Cittadellarte – Fondazione Pistoletto
    • Laboratory of the Philosophical Vagabond at Tag Team Project, Edinburgh
    • Espèce de pensée (Species of Thought) at The Collective Gallery, Edinburgh
    • Intersection of Universes and two others at the Gwangju Biennale, South Korea
    • One Man’s Terrorist is Another Man’s Freedom Fighter at Apexart in New York City
    • CNG Cowboys at KHOJ, New Delhi
    • Familiar Fear at Nuit Blanche, Paris
    • Privacy: A Programme of Symposia with Protoacademy & Olaf Nicolai in Edinburgh
    • Past Relations at Oxford Brookes University
    • Natural Dialogue at Grizedale Arts in Cumbria
    • Open School of Philosophy at the Gloucester Market in Oxford
    • The Polyphonic Gathering at the Richard Hamilton Gallery, Oxford Brookes University
    • Abergreen: A Social Laboratory at Peacock Arts in Aberdeen
    • The Obscure: A Performative work in Two Parts in Oxford
    • Frontstage/Backstage at OVADA, Oxford
    • Peer Review – Film
    • Representation, Reconstruction & Reappraisal at the 02 Gallery, Abingdon
    • In Search of the Authentic
  • Teaching
    • Descendants of Goffman – University of Manitoba
    • Hybrid Practices Course
    • Privacy: A Programme of Symposia with Protoacademy & Olaf Nicolai in Edinburgh
    • Past Relations at Oxford Brookes University
    • Natural Dialogue at Grizedale Arts in Cumbria
    • Representation, Reconstruction & Reappraisal at the 02 Gallery, Abingdon
    • Foundations Teaching – 3D
    • Foundations Teaching – Drawing
    • Foundations Teaching – Intro to Painting
    • Intro to Digital Imaging Course
  • Research
    • Hybrid Practices in the Arts, Sciences, and Technology since the 1960s – Conference
    • Art + Science at The Watson Library, University of Kansas
    • Roundtable: Excavating the Universe – Physics interacts with the Arts
    • Privacy: A Programme of Symposia with Protoacademy & Olaf Nicolai in Edinburgh
    • Past Relations at Oxford Brookes University
    • The Polyphonic Gathering at the Richard Hamilton Gallery, Oxford Brookes University
    • Open School of Philosophy at the Gloucester Market in Oxford
    • The Obscure: A Performative work in Two Parts in Oxford
    • Frontstage/Backstage at OVADA, Oxford
    • Peer Review – Film
  • Writing
    • Collaboration, Labor, and Breaking bread: An Interview with Sean Starowitz
    • Introduction to my practice-led PhD commentary – “The relationship between specialist and non-specialist identities in a dialogical art practice”
    • Neutrality as a Benchmark in Socially Engaged Art practice
    • Cork Caucus and a Proto Democracy
  • Home
  • CV
  • Portfolio
  • Teaching
  • Research
  • Writing

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