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Steven Duval – CV
Portfolio
Mashup (at the Greenlease Gallery, Rockhurst University, Kansas City)
Descendants of Goffman – University of Manitoba
Art + Science at The Watson Library, University of Kansas
The Performance Anxiety of Michael Fried – Commonwealth Gallery, Madison WI
Collage
Eyes of the Mirror
M.A.G.A.
Entropies
Seen II
Interpellating History: A Work for Three Actors – Oxford
Cognoscibility at OVADA in Oxford
Agri-culture, Presence Exhibition at the Fruitmarket in Edinburgh
RomanTech – Collective Gallery, Edinburgh
Eco-nomia, part of BIG Torino (Biennale Internazionale Arte Giovane)
Das Eco-Kapital at Rraum in Frankfurt-am-main
The Apple is a Model at Cittadellarte – Fondazione Pistoletto
Laboratory of the Philosophical Vagabond at Tag Team Project, Edinburgh
Espèce de pensée (Species of Thought) at The Collective Gallery, Edinburgh
Intersection of Universes and two others at the Gwangju Biennale, South Korea
One Man’s Terrorist is Another Man’s Freedom Fighter at Apexart in New York City
CNG Cowboys at KHOJ, New Delhi
Familiar Fear at Nuit Blanche, Paris
Privacy: A Programme of Symposia with Protoacademy & Olaf Nicolai in Edinburgh
Past Relations at Oxford Brookes University
Natural Dialogue at Grizedale Arts in Cumbria
Open School of Philosophy at the Gloucester Market in Oxford
The Polyphonic Gathering at the Richard Hamilton Gallery, Oxford Brookes University
Abergreen: A Social Laboratory at Peacock Arts in Aberdeen
The Obscure: A Performative work in Two Parts in Oxford
Frontstage/Backstage at OVADA, Oxford
Peer Review – Film
Representation, Reconstruction & Reappraisal at the 02 Gallery, Abingdon
In Search of the Authentic
Teaching
Descendants of Goffman – University of Manitoba
Hybrid Practices Course
Privacy: A Programme of Symposia with Protoacademy & Olaf Nicolai in Edinburgh
Past Relations at Oxford Brookes University
Natural Dialogue at Grizedale Arts in Cumbria
Representation, Reconstruction & Reappraisal at the 02 Gallery, Abingdon
Foundations Teaching – 3D
Foundations Teaching – Drawing
Foundations Teaching – Intro to Painting
Intro to Digital Imaging Course
Research
Hybrid Practices in the Arts, Sciences, and Technology since the 1960s – Conference
Art + Science at The Watson Library, University of Kansas
Roundtable: Excavating the Universe – Physics interacts with the Arts
Privacy: A Programme of Symposia with Protoacademy & Olaf Nicolai in Edinburgh
Past Relations at Oxford Brookes University
The Polyphonic Gathering at the Richard Hamilton Gallery, Oxford Brookes University
Open School of Philosophy at the Gloucester Market in Oxford
The Obscure: A Performative work in Two Parts in Oxford
Frontstage/Backstage at OVADA, Oxford
Peer Review – Film
Writing
Collaboration, Labor, and Breaking bread: An Interview with Sean Starowitz
Introduction to my practice-led PhD commentary – “The relationship between specialist and non-specialist identities in a dialogical art practice”
Neutrality as a Benchmark in Socially Engaged Art practice
Cork Caucus and a Proto Democracy
Steven Duval
Home
CV
Portfolio
Teaching
Research
Writing
Category: Uncategorized
Posted on
November 11, 2015
Decendants of Goffman at The University of Manitoba
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Home
CV
Steven Duval – CV
Portfolio
Mashup (at the Greenlease Gallery, Rockhurst University, Kansas City)
Descendants of Goffman – University of Manitoba
Art + Science at The Watson Library, University of Kansas
The Performance Anxiety of Michael Fried – Commonwealth Gallery, Madison WI
Collage
Eyes of the Mirror
M.A.G.A.
Entropies
Seen II
Interpellating History: A Work for Three Actors – Oxford
Cognoscibility at OVADA in Oxford
Agri-culture, Presence Exhibition at the Fruitmarket in Edinburgh
RomanTech – Collective Gallery, Edinburgh
Eco-nomia, part of BIG Torino (Biennale Internazionale Arte Giovane)
Das Eco-Kapital at Rraum in Frankfurt-am-main
The Apple is a Model at Cittadellarte – Fondazione Pistoletto
Laboratory of the Philosophical Vagabond at Tag Team Project, Edinburgh
Espèce de pensée (Species of Thought) at The Collective Gallery, Edinburgh
Intersection of Universes and two others at the Gwangju Biennale, South Korea
One Man’s Terrorist is Another Man’s Freedom Fighter at Apexart in New York City
CNG Cowboys at KHOJ, New Delhi
Familiar Fear at Nuit Blanche, Paris
Privacy: A Programme of Symposia with Protoacademy & Olaf Nicolai in Edinburgh
Past Relations at Oxford Brookes University
Natural Dialogue at Grizedale Arts in Cumbria
Open School of Philosophy at the Gloucester Market in Oxford
The Polyphonic Gathering at the Richard Hamilton Gallery, Oxford Brookes University
Abergreen: A Social Laboratory at Peacock Arts in Aberdeen
The Obscure: A Performative work in Two Parts in Oxford
Frontstage/Backstage at OVADA, Oxford
Peer Review – Film
Representation, Reconstruction & Reappraisal at the 02 Gallery, Abingdon
In Search of the Authentic
Teaching
Descendants of Goffman – University of Manitoba
Hybrid Practices Course
Privacy: A Programme of Symposia with Protoacademy & Olaf Nicolai in Edinburgh
Past Relations at Oxford Brookes University
Natural Dialogue at Grizedale Arts in Cumbria
Representation, Reconstruction & Reappraisal at the 02 Gallery, Abingdon
Foundations Teaching – 3D
Foundations Teaching – Drawing
Foundations Teaching – Intro to Painting
Intro to Digital Imaging Course
Research
Hybrid Practices in the Arts, Sciences, and Technology since the 1960s – Conference
Art + Science at The Watson Library, University of Kansas
Roundtable: Excavating the Universe – Physics interacts with the Arts
Privacy: A Programme of Symposia with Protoacademy & Olaf Nicolai in Edinburgh
Past Relations at Oxford Brookes University
The Polyphonic Gathering at the Richard Hamilton Gallery, Oxford Brookes University
Open School of Philosophy at the Gloucester Market in Oxford
The Obscure: A Performative work in Two Parts in Oxford
Frontstage/Backstage at OVADA, Oxford
Peer Review – Film
Writing
Collaboration, Labor, and Breaking bread: An Interview with Sean Starowitz
Introduction to my practice-led PhD commentary – “The relationship between specialist and non-specialist identities in a dialogical art practice”
Neutrality as a Benchmark in Socially Engaged Art practice
Cork Caucus and a Proto Democracy
Home
CV
Portfolio
Teaching
Research
Writing
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